Mother of the bride Dresses that Your Mom Can Actually Wear After the Wedding

Mother of the bride Dresses that Your Mom Can Actually Wear After the Wedding

At a wedding, all eyes should be on the bride.  After all, it's her day.  But just because the bride does not want to be upstaged, does not mean the mother of the bride should be out of fashion.  Today, mothers of the bride are no longer willing to blend in with the wallpaper.  They put in as much time as the bride to find the right look.  Frump is out and style is in.  They wear dresses that are well-tailored and age appropriate.  Their shoes, bags, jewelry, and other accessories are expertly coordinated with their dresses.  As they should, since wedding pictures are forever.  Today, mothers of the bride are more than just mothers, they are style icons.  They want dresses that perform in more than one function.  Today, mothers of the bride want dresses they can actually wear after the wedding.  Today, mothers of the bride can find all this, and more.

To get the perfect dress, mothers of the bride should follow five rules when picking out dresses for before, during, and after, the wedding:

Choose an outfit that respects the wedding color(s), however remember colors come in all palettes and hues.  Bold does not always mean loud.

Simple is timeless.  Following the latest fashion or runway trend limits the time and wearability of an outfit.

Tailored outfits for your body type will flatter your figure.  Off the rack is fine, just remember to nip and tuck.

Accessorizing with lightweight outerwear not only is figure slimming, it takes an outfit from morning to night.

Let your accessories bring the detail.  Busy dresses are generally bad decisions.

By body type, here are some Mother of the bride dresses that rule during and after the wedding.

Small top, Wide bottom or Big top, Small bottom

A small top, wide bottom woman has a small to average bust, a slender waist, and full thighs and hips.  To create a sense of balance with your body, wear two tone dresses with bright tops and darker bottoms.  A-line skirts are slimming.  Consider blousy and off the shoulder necklines which give depth.  Adding matching or coordinated outerwear to the dress also brings balance.  Here are styles that bring style to women with small tops, and wide bottoms.

Two two-toned dresses are flattering as well as functional.  Choosing a dress with a white portrait collar or white strip of fabric outlining the neckline, as well as one with an embellished cinched waist bands, take emphasis away from the bottom.  

If the mother of the bride is big on the top, but has a small bottom, do the reverse – bold colors on the bottom, with darker, muted colors on the top.   

For either body type, a stunning Jacquard and sleeveless Shantung are attractive.  Their embellished top dress can be worn alone or with its matching Jacquard jacket.  The three-quarter jacket sleeves complement small or heavy set arms.

Tall and Slender

Tall and slender mothers of the bride have small busts, narrow waists and hips, and long lean arms.  Choose light and soft colors, as well as pleats and full skirts, to round out your frame.  If you add outerwear, choose one with large colors and cuffs.

Flattering styles include soft colors, like lilac. Hammered tiered round neck dresses, one-shoulder tiered long dresses with matching cover ups, and angled tier, empire style, cap sleeve dresses slim and bring attention to all the right places.

Full-figured

Round figured Mothers of the Bride have full busts, round midsections, and heavy arms.  To bring balance buy dresses that create a line that gives height.  If you're petite or tall steer away from long flowy dresses.  Knee length dresses are the most flattering.  Combining a dress and outer coat of the same length, as with a Shantung coat and dress, or a two piece suit of the same color, as with this metallic brocade two piece, will also give a smooth line.  

Curvy Body

Petite or tall, curvy mothers of the bride can wear almost anything because their bust, waist, and legs are in proportion.  Fitted dresses are the most becoming.  V and scoop necks show off the bust-line.  Don't hide your curves behind ill, loose fitting dresses, or blousy necklines.

This halter top, buckled waistline dress comes with a matching cover that can be worn over both or one shoulder.  After the wedding, shorten the dress to just above the knee to create a flowing sophisticated dress wearable for many occasions.  

Jacquard and Shantung broach detailed dresses with a three-quarter sleeved bolero or a two-piece black bolero and ruffled tank dress, can be worn with the bolero at the wedding, and without when the Mother of the bride needs more freedom.

Weddings are auspicious occasions.  Today, mothers of the bride have a vast selection of dresses and ensembles that are stylish and fashionable.  Selecting a well-tailored and ageless designed dress that complements your body type, mothers of the bride dresses can be worn after the wedding to all types of special occasions.

Jamela Collins is a freelance writer who writes about weddings and specific products such as bridal shoes and wedding accessories.

Posted by admin - August 27, 2010 at 7:52 am

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Package of Styles Gothic Clothing

Package of Styles Gothic Clothing

The search for Gothic Clothing, Corsets, shirts and pirate shirts is over now. With GothCode bringing a wide range of medieval and Gothic clothing prospective customers' need will be fulfilled at ease. These spectacular ranges of medieval products have been big hit with the people, both male and female. It showcases a rare collection of Gothic Clothing, Corsets, shirts and pirate shirts that has been mesmerizing customers, both ladies and gents.

TheGothCode.co.uk specializes in Gothic and medieval dress both for the ladies and gents. A find blending of medieval style and modern sensibilities as well as traditional designs gives rise to a completely new perspective to the Goth fashion scenario. GothCode's collection for ladies includes some beautiful velvet, lace basques, corsets, PVC waspies, and punk mini-skirts. Men's collection includes Gothic trousers and shirts. Its Medieval women's and men's Gothic clothing includes Pirate Shirts, Coats, Vests, Bodices, Chemises, Cloaks, Robes to name a few. TheGothCode both manufactures as well as procures from renowned vendors. Its research and design (R&D) team deligently works to experiment with new designs and then getting the feedback from the customers.

Its sourcing team visits throughout the world, in fact as far as Nepal and India, to find out the latest fashion in designs and quality. This enables TheGothCode to blend the latest design with the medieval styles. The medieval styles are generated out of the latest fashion statement.

TheGothCode provides all kinds of Gothic costumes in the UK. It brings an extensive assortment of Goth clothes including Regency Robe, Medieval Cloak, Midnight Fantasy Cloak, Hooded Cotton Cloak, etc. These Gothic products are unique and have a distinct touch. TheGothCode has substantially cut down on people's search for the medieval dresses. These products are spectacular and customers have been extremely content with these products. The primary Gothic Costumes that TheGothCode provides include Gothic Skirts, Gothic Corsets, Gothic Dresses, Gothic Clothing, Gothic Shirts, Pirate Shirts and Goth Dress.

Some other cool Gothic Clothing includes Gothic Corsets, Plus Size Corsets, Gothic Shirts & Tops, Gothic Dress, Gothic Blouse, Gothic Skirts, Gothic Pants, Gothic Jackets & Coats, PVC Dresses. Some of the classic Medieval Clothing includes Medieval Dress, Pirate Shirts, Wench Blouses & Tops, Medieval Pants & Skirts, Renaissance Chemises, Renaissance Bodice, Pirate Coats & Vests, Female Garb Sets, Male Garb Sets, Robes, Cloaks & Smock, Medieval Helmets and Accessories. Prices at TheGothCode are also not that high with Extra Small Harem Pants coming at £23.95, Classic Chemise Colored at £36.95), Renaissance Chemise (Colored) at £32.95, Brocade Bodice (£74.95), Medieval Goth Bodice (£40.95), Medieval Mistress Bodice (£81.95), Princess Bodice (Boneless) (£47.95) etc.

TheGothCode offers all kind of gothic corsets, costumes, clothes, skirt, dresses, shirts and pirate, medieval clothing also provides.

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Posted by admin - August 26, 2010 at 5:12 am

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Fashion Fall/Winter 05/06

Fashion Fall/Winter 05/06

In the latest fashions shows all the models wore large necklaces
and wrists-full of bracelets made of wood or shells and had
their hair done in loose, gentle upsweeps. The black-and-white
Beatnik style is back, aimed at the 16-25 age group, severe and
pared down, a complete about-turn...gone is casual,
throw-it-all-together, ethnic school of style, with last
season's Bohemian look making but a brief showing. We saw
sequined dresses, halters and shrugs in purple, green and gold;
swimwear followed the metallic theme: women wore tiny silver and
gold bikinis, while men wore shorts or swimsuits in colorful
prints. Last season's Bohemian look made a brief showing.

Many of the formal dresses were updated versions of more
classic styles. A simple off-white knee-length strapless gown
was accented with a skirt of tulle ruffles around the waist. A
long purple evening gown was slit up the front with a cloud of
feathers beginning at the knee.
Steer clear of flat black -
the key element is the combination of black and white, such as a
crisp, white shirt with a pair of well-cut black trousers, and
look for rich fabrics such as satin, silk and velvet; black and
white-striped mohair sweater-dresses, worn over tights or very
fitted jeans, worn with black ballet slippers, patent slippers
or with knee-high black boots; black wool cropped jackets and
pea coats; Beatnik-style black caps; black eyeliner and mascara;
sunglasses and straight hair.
The hourglass silhouette is
already a key look for this winter but if you don't have a tiny,
well-toned frame, choose less fitted silhouettes, and add
narrow, leather belts, retro-style shoes, vintage handbags and
opulent fur, a striped Pompom scarf. Pompom decoration is a
designer look and very easy to make yourself. Back in style is
the Sixties-inspired wool shift, with a Chanel touch and in
solid colors such as a white shirt and oversized black blazer,
and rather than a revival of androgyny it is simply a question
of comfort and ease; black mini-skirt with over-the-knee boots;
or a striped top or sweater [with a pair of skinny black pants.

Dresses have been the featured item in the latest fashion
shows; 'The Wrap' dress is making a comeback, and is not in a
boudoir-inspired style, but a dress with a waist, a neckline, a
skirt and - most importantly - sleeves. The new autumn
collections are full of dresses with sleeves of every shape and
size - three-quarter length, cuffed, long and tight, full and
belled, raglan and puffed, many in a print pattern such as
paisley print, on a long-sleeved dress. Prints in shades of
green, orange, pink and purple dominated the beginning of the
show. Shorts and skirts came in bright patterns that echoed back
to the 1950s and 1960s. Modern technology, with improvements in
jersey fabrics and stretch, makes a dress really comfortable to
wear. Many younger women want an all-in-one solution for work
and business travel, rather than a skirt and top or a suit.

Fall/Winter 05/06 has accents of color combined with regal
fabrics. Black is not minimalist black as in the 1990s; rich
deep plush velvet, black satin, black lace and black just
accented with white or red is the look for 2005. Black silk,
black gauze, Persian lamb, black taffeta, penne velvet black
denim, black cashmere, black jet, corduroy, black suede and
Shear ling add touches of sophistication and glamour to new
trends. Main colors are deep rich violet purples, wine reds,
burnt ginger tones, moss greens, mustard, and teal. The basic
solid black and white can be very sharp and smart, plus grays
and oyster shell tones.
British country style tweeds have
been out in force, but this year tweed is less textured. It
looks more like Harris Tweed, flat plaids or old familiar checks
such as black and white hound's tooth checks. This is a look
that can continue into night with sequins used to create the
contrast; boldly vibrant colored checks, colorful tartans and
tweeds are all used in coats, dresses and skirts that are
loose-fitting with flowing folds of fabric, or with a Roman
touch with lines of gold appliqué. Ironically, these heritage
fabrics and shapes should be worn in a quirky way, jumbled up,
mixing Argyle knits with tartans, plaids and stripes. Or you
could borrow from the men, Ralph Lauren-style, and wear slouchy
tweed trousers with brogues and oversized knits; and boucle
tweed suits in the 50s style.
Intarsia in knitwear is back
again, such as Fair Isle, ikat, bold abstract and paisley
arrangements. Long cardigan jackets cardigan and asymmetric
cardigan wraps and coats often have fur collars or a narrow fur
edge; Aran knits, not usually in the traditional cream but in
richer deep shades of creams, teal and rust feature in many
collections.
Luxurious rich fabrics and antique brocade
fabrics, often interpreted with Ombre dyed materials like
velvets that move through related colors such as burnt orange
merging with reds through to claret in Ombre dyed velvet. Such
velvet is then over printed in toning colors or textured with
embroidery. Velvet can also have texture and appliqué

and is generally gorgeous this winter with an antique vintage
feel. Metallic luster and rich satins and the plushest of
velvets bring a new opulence to winter. In addition to rich
plush velvet there will be penne velvet, corduroy, suede, Shear
ling, leather reptilian skins, boiled wool, suiting. Designer
shoes frequently have lace and beading and if they are not
velvet, they may just as easily be made of suede another luxury
material.
The best styles to look for are wide-leg cuffed
trousers, short, swingy jackets and slim skirts, totes and
bucket bags, flat lace-up brogues, flora and fauna prints. The
'in' colors are black and white, beige, orange, gorgeous greens
and often have crochet motifs added - also a lot of purple tones
in tartan skirts, fur coats.
Just remember that black in
2005 is no longer the only look to wear. The fabrics in rich
deep berry and gem jewel colours may do far more for your
coloring than black ever might. Berry colors and purples will be
a wonderful choice instead of black or as an accent color.
Cubist paint techniques as prints will lead us into Spring 2006
and stencil print effects will be popular.
Leave behind
gypsy skirts, kaftans, tribal jewellery, military jackets,
waistcoats, drainpipes, crocheted shrugs and warrior belts
[finally!].

Margot B

Mailto: margotb@margotbwritersforum.com

Web sites: http://margotbworldnews.com

http://margotbwritersforum.com

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Posted by admin - August 25, 2010 at 12:39 am

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Dressing up Your Windows With Curtains

Dressing up Your Windows With Curtains

Taking care of a house is something that most people love to do. Different accessories and things that you can add to any room in order to give an extra presence and to help make it look better. Curtains are essential for any room, also, far more than a functional bits and pieces used to block light and endow solitude. Curtains are a form of window treatment and complete overall appearance of the house. These are also known as "draperies" in the US which is a piece of cloth intended to block or secure light, or drafts or water in the case of a shower curtain.

What are the curtain fabrics available in the market?

Curtains are used to give an aesthetical appeal for a room. An elegant one greatly increases the aesthetics of a room and gives an opulent look. If one cannot modishly work out for a good kind of curtain, a dirty and ill matched curtain curtains may give a room gloomy. The choice of curtains then should be given an utmost consideration. Depending on the purpose of which the curtains are being installed, fabric curtains, as the most popular window treatments may be opt to a light fabric or heavier drape, each with a differing degree of light and absorption and heat insulating qualities. Selection should also depend on the colour of the room, privacy required, how hot or cold upon want it to be and the art of light you prefer entering your room.

A wide range of fabric can be chosen when making your own curtain. A sheer or net curtain is made of translucent fabric which allows of light to be transmitted, providing a basic level of UV of protection. These are sometimes referred to as privacy curtains as during the day will allow people inside the home to see the outside view whilst preventing people outside the home from seeing directly into home. Uncoated fabrics are tightly woven fabric which is mostly opaque and provide a reasonable level of heat insulation due to tight weave fabric. Uncoated fabrics then when closed attempts to block out direct sunlight, light will still are visible through the curtain. The coated fabrics are coated with a liquefied ruber polymer in a single coat to an uncoated fabric. This fabric is considered a one pass coated fabric, often referred to as dim-out because of its ability to absorb 50-70% of a direct light source. Other parameters in choosing fabric curtains are the size of the room, the shape of the window and the colour and upholstery of the furniture.

For formal rooms, the use of fabrics like, brocade, damask, faille, silk, velvet or velveteen is recommended. If it is for informal room, you must choose from boucle, chintz, sateen, linen and sheeting. For casual, you can go with broadcloth, burlap, canvas, corduroy, denim, muslin, poplin suede cloth or tweed.

How about home-made curtains?

Curtains are used now in many homes or business to make a trend statement or to add a bit of stylish to the environment. They are regarded as decorative utility products which change the look of a room and give an expression of the room, a frame of mind. But as per requirements, curtains can be expensive and may seem not available in the market easily. In this case, home-made curtains are an advantage allowing you t splash out on more expensive curtains especially if one is very skilled and puts on a professional finish to them. You should visit craft and fabric shops to pick out the material preferred for your curtains and search for designer versions and start making your own. You can tailor the curtains to your exact requirements and will have a good option to customize them by using accessories (tie-backs, pelmets, cushion covers).

Other considerations:

A thought should be given on safety for floor length curtains when pets and children are present in the house. Make sure of your window measurement. You must decide on the length of the curtain, sill length, below sill length of floor length. The weight of the fabric will also determine the thickness of the pole.

Lining the curtains can protect it from damage due to dust, sunlight and in insulating the room.

Sunlight considerations:

- Use lined window treatments, blinds or shades to protect fabrics as dark colored fabric are light and fade
- Acetate often is blended with silk or cotton to make it more resistant.
- Consider professionally installed film to diminish the damaging effects of the ultraviolet rays.

Washing curtains:

- Don't' forget to check the label for washing instructions before laundering ready-made curtains. Hooks, rings and hardware should be removed if curtains are washable.
- Machine wash on a short gentle cycle using cool water and mild detergent must be used.
-Iron on the reverse side. Take care not to break the stitching and reattach metal hardware only after the curtains are dry.

Posted by admin - August 23, 2010 at 10:29 pm

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Paris Fashion Week, fur fabric clothing big favor

Paris Fashion Week, fur fabric clothing big favor

From the trend, the biggest highlight of autumn and winter 2010/2011 that many designers choose to make an issue of the garment fabric. Variety of fabrics and gorgeous warm color mix, highlighting the designers to imagine the future "cold" weather. Fur Selling Well the major T-Taiwan, in addition to wool, thick wool, tweeds, metallic brocade and so on, its on the darker or have a more bright color, or printed on a large area of flower pattern.

    The Winter Series 2010/2011 Chanel's use of a large number of artificial fur, in addition to the common fur coat, high boots, the more bright spots of fur pants. In addition, the classic tweed coat with fur has also joined the knitting.

    Highly romantic, decorative jewelry Christian Dior (ChristianDior) allows us to see the new series of delicate chiffon and silk dyeing. In GiambattistaValli brand there, continuing the pale and lovely tone, with oval contour of the woolen coat and a close relative with a pleated dress, there are shining black and white Xiangzhu, in one of the last century 50's dignified style .

    As Takada Kenzo (Kenzo) works, there is an explanation for the evolution of flowers, family large tent filled with thick cloth-like dresses, tight-fitting underwear, and large packages, and embodies the spirit of freedom. Classic clothing fabrics like pinstripe, canines grid, thick knit and tweed cropped jacket into a large square or small ballet skirt, followed by a kaleidoscope of patterns with the high waist of the one-piece dress and pants.

    New series released in VanessaBruno, people see the pleated silk, sheer knit and natural colors of Chiffon. Red is a large number of applications, reflected in a large fur coat and thick knit jacket.

    Trend Highlights

    As the finale of the four major drama Fashion Week, Paris Fashion Week 2010/2011 winter series on March 2 to 10 at 9 days were performed, including Chanel (Chanel), Louis Vuitton (LouisVuitton), Hermes (Hermes) and other 90 games brand new series of shows and released nearly 40 brands of display marketing. The number of attending this session, the designers quite stable, unchanged. French fashion trade union official schedule in the table in an increase of 4 new designer name: Belgian designer AnthonyVaccarello, Greece, German designer NicolasAndreasTaralis, specializes in the design of the Paris Boy QuentinVeron fur and the young Croatian designer DamirDoma. More than a dozen brands being the financial crisis, as TimHamilton, Dress33, they miss the season Fashion Week. AgnèsB are not participating, to accept visits by appointment only. Belgium Brand KrissVanAssche out Fashion Week, aimed at full development. Meanwhile, the British brand 贾尔斯迪肯 (GilesDeacon) played in the quarter final farewell show.

    In addition, ever concerned about the death just because of the British designer Alexander McGuire (AlexanderMcQueen) fashion show in Paris. Scheduled for March 9 Alexander McGuire was canceled due to women's conference, low-profile form that will be held in private salons, only invitees to enter, and this Fashion Week to increase this number of mysterious suspense.

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Posted by admin - August 22, 2010 at 6:03 pm

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Giorgio christian louboutin

Giorgio christian louboutin

echno rears its plastic-coated head in strange places - the sexy Sicilian reveries of Domenico Dolce and Stefano Gabbana, for example.

"This is a Mediterranean woman," Stefano Gabbana said of their inspiration. "But she is a futuristic Mediterranean woman."

This collection was about glamour, a kind that tempers overt sexiness with a gentle veil of romance. But then, only a genuinely romantic vision would cast glorious masses of handpainted flowers flecked with bees and butterflies as a futuristic concept.

This was a key theme, replacing the elaborate beadwork and embroideries of past seasons.

The other big message - that cyber shine - showed up in laminated stretch silks and semi-reflective "mercury" fabrics intended to simulate the look of Venetian mirrors, even if they sometimes bore a closer resemblance to Reynolds Wrap.

The two themes played against each other throughout. The designers painted everything imaginable, from the expected, stretch tulle goddess dresses and retro-looking evening coats, to the surprising, aluminum-foil corsetry and a coat cut in gray flannel.

They layered tulle over mirrors and satin coats over laminated stretch brocade.

GIORGIO ARMANI

"No plastique."

Giorgio christian louboutinoffered that sound-bite on his plans for fall just days before his show. But that doesn't mean he's not on the move.

i s definitely  in casual mode for fall. He set the tone early by opening not with suits, but with a group of snake-printed shearlings over soft pants. That relaxed sportswear attitude dominated much of the show, as did Giorgio's distinct preference for pants.

He sent out scores of them, always cut full and long in all sorts of languid fabrics, including knits. These were worn with gauzy sweaters and a vast array of jackets - short, long, full, lean, but always relaxed.

When he veered from pants it was with long, languid - and very timely - skirts and dresses.

And in a season in which louboutin shoes have ranged from the amusing to the bizarre, it was refreshing to see footwear not intended to be a conversation piece - simple, normal flats with rubber soles.

As always,evening embroideries were ringers for couture pieces - rich, radiant and as glam as it gets. They ranged from sheaths and slips to lavishly fringed jackets to full, fairytale skirts.

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Posted by admin - August 21, 2010 at 6:34 pm

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Wedding Dresses Ideas for Every Season ? Summer, Fall, Winter, Spring

Wedding Dresses Ideas for Every Season ? Summer, Fall, Winter, Spring

Take a cue from the seasons with our favorite wedding dresses and attire ideas for spring, summer, fall, and winter...

Summer Wedding Dresses and Attire
Think breezy dresses with airy silhouettes and light fabrics for a summertime affair...

Lighter fabrics: for the wedding dress – think organdy, linen, chiffon, crepe, georgette or any light-weight silk. Bridesmaids dresses in linen, eyelet, or seersucker will ensure your girls are comfortable. You may want to forego tuxes and dress the guys in traditional cape cod style – khakis, blue sport coats and colorful ties like those from Vineyard Vines, or morning suits for a more formal affair.
Simple silhouettes: opt for a slip dress or sheath – as opposed to a voluminous ball gown. Keep your veil simple as well – look for airy, not poufy.
Dare to go barefoot: a casual outdoor setting can be made more so with a barefoot bridal party
Add color: summer is a time to incorporate some color into your ensemble.

Get more advice on finding summer wedding dresses.

Fall Wedding Dresses and Attire
Embrace fall with rich textures and luxurious accents that complement the season...

For the bride: 1. off white - cream or off-white wedding gowns accent a richer color palette. 2. lace up - antique or vintage lace adds texture to a rustic setting
For the ´maids: select jewel tone bridesmaids dresses in rich fabrics such as brocade or velvet
Stay comfortable: be prepared for chilly or warm temps. Strapless dresses with wraps, capelets or stoles are a safe bet

Winter Wedding Dresses and Attire
Add some sparkle with glamorous gowns that glisten like new fallen snow...

Rich fabrics: warm up to velvet, satin, brocade, and heavy silk
Add a layer: if your wedding dress is sleeveless or strapless, add a wrap, shrug or cape in white or in one of your wedding colors
Winter white: dress the wedding party, flower girl and ring bearer in winter white for a chic, clean look.
Black tie: formal attire at an elegant winter wedding is always a classic

Spring Wedding Dresses and Attire
Embrace the outdoors with floral elements and touches of color...

Loosen up: feel free to relax the dress code a bit, especially if the wedding will take place outside
Lighten up: lighter fabrics like lace or cotton create a perfect springtime look
Wedding gown: add some color with a sash or detailed embroidery
Bridesmaids dresses: 1. pastels are a springtime classic. Keep yours fresh by choosing a color and allowing each of your maids to select a different hue. Or go in another direction with a bolder turquoise, fuschia or mango. 2. avoid satin shoes – they don´t hold up well under springtime showers
The guys: they´ll look seasonably appropriate in tan suits, colored shirts and ties. For a formal evening affair, a basic tux always works.

Get even more wedding dresses style tips and budgeting advice, and browse thousands of designer wedding dresses

Cori Russell is editor for Elegala.com and Gala Weddings Magazine. Elegala.com is a complete Weddings, Wedding Planning resource with a national directory of wedding venues and services, how-to guides, photo galleries, checklists, and expert advice to walk brides through every step of the wedding planning process.

Brides can request wedding vendor quotes from top vendors across the nation.

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Posted by admin - August 20, 2010 at 2:38 pm

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Gucci ,adds some cool colors upon the Bohimia

Gucci ,adds some cool colors upon the Bohimia

Product style: Regardless is shoe and wrap clothing still, all become the consumption of full of upper-class society to spoil son by the brand image of"the symbol of identity and wealth".Always, Gucci handbags creativity director general the Frida Giannini worships and presents to take to have slovenly and untidy extravagant Mi and decadent and wild hippies personality for the pole desire, so at her lead under, the Gucci Handbags appeared and Tom Ford at the totally different brand style be be like this quarter to present fashionable to revive old customs of everyone of folk and cool flavor

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Posted by admin - August 19, 2010 at 6:07 pm

Categories: Brocade Coats   Tags: , , , , , ,

1700-1750 in Fashion

1700-1750 in Fashion

Fashion in the period 1700-1750 in European and European-influenced countries is characterized by a widening, full-skirted silhouette for both men and women following the tall, narrow look of the 1680s and 90s. Wigs remained essential for men of substance, and were often white; natural hair was powdered to achieve the fashionable look.

Distinction was made in this period between full dress worn at Court and for formal occasions, and undress or everyday, daytime clothes. As the decades progressed, fewer and fewer occasions called for full dress which had all but disappeared by the end of the century.

The stays or corset of the early 18th century were long-waisted and cut with a narrow back, wide front, and shoulder straps; the most fashionable stays pulled the shoulders back until the shoulder blades almost touched. The resulting silhouette, with shoulders thrown back, very erect posture and a high, full bosom, is characteristic of this period and no other.

Skirts were worn over small, domed hoops in the 1730s and early 1740s, which were displaced for formal court wear by side hoops or panniers which later widened to as much as three feet to either side at the French court of Marie Antoinette.

The shift (chemise) or smock had full sleeves early in the period and tight, elbow-length sleeves in the 1740s as the sleeves of the gown narrowed. Drawers were not worn in this period.

Woolen waistcoats were worn over the corset and under the gown for warmth, as were petticoats quilted with wool batting.

Free-hanging pockets were tied around the waist and were accessed through pocket slits in the gown or petticoat.

Loose gowns, sometimes with a wrapped or surplice front closure, were worn over the shift (chemise), petticoat and stays (corset) for at-home wear, and it was fashionable to have one's portrait painted in these extremely undress fashions.

In the early years of this period, black silk hoods and dark, somber colors became fashionable at the French court for mature women, under the influence of Madame de Maintenon. Younger women wore light or bright colors, but the preference was for solid-colored silks with a minimum of ornamentation.

Gradually, trim in the form of applied lace and fabric robings (strips of ruched, gathered or pleated fabric) replaced the plain style. Ribbon bows, lacing, and rosettes became popular, as did boldly patterned fabrics. A mid-century vogue for striped fabrics had the stripes running different directions on the trim and the body of the gown.

Indian cotton fabrics block-printed in bright colors on white grounds were wildly fashionable. Bans against their importation to protect the British silk, linen, and woolen industries did nothing to reduce their desirability. Brocaded silks and woolens had similar colorful floral patterns on light-colored grounds. Blends of wool and silk or wool and linen (linssey-woolsey) were popular.

Men continued to wear the coat, waistcoat and breeches of the previous period for both full dress and undress; these were now sometimes made of the same fabric and trim, signalling the birth of the three-piece suit. Coats were roughly knee-length throughout the period.

rope">http://www.himfr.com/buy-rope_splice/">rope spliceBy the 1720s, the skirts of the coat had pleated panels inserted in the side seams; these were occasionally stiffened to increase the fullness over the hips. Coats had no collars early, and a short standing collar later. Oversized, turned-back cuffs extended to the elbow. Waistcoats remained long. Full dress coats and waistcoats were trimmed with lace, braid, or heavy embroidery; undress clothing had a similar cut but without the trim.

The frock was an English undress coat with a wide, flat collar, derived from the coats worn by working men.

Shirt sleeves were full, gathered at the wrist and dropped shoulder. Undress shirts had plain wrist bands and a high stock at the neck. Dress shirts had in ruffles of fine fabric or lace at the cuffs. Early in the period a black ribbon called a solitaire was tied around the neck.

Leather shoes fastened with buckles, and were worn with silk or woolen stockings. Stockings continued to be worn over the breeches until 1730 when the breeches were often worn over the stockings. With this change, the garters gave way to buckles on the breeches to hold up the stockings.

A loose, T-shaped cotton or linen gown called a banyan was worn at home as a sort of dressing gown over the shirt and breeches. Men of an intellectual or philosophical bent were painted wearing banyans, with their own hair or a soft cap rather than a wig.

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Posted by admin - August 18, 2010 at 6:21 pm

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Lehenga Style Saree

Lehenga Style Saree

Origin

Lehenga style saree is a form of readymade saree that arose from the need of an artistic yet easy to wear party wear. The easy to wear option of the garment tells the ladies just to slip into it and be ready in minutes. Stitched as a long flared skirt with a zip at the side, it is made to the measurements of the wearer. The ensemble needs to be slipped in, fasten the zipper and drape the pallu over the shoulders. This is an outfit for ladies who are not comfortable with usual drapping and pleating that the regular saree demands. This style of saree pallu has the dramatic effect of the matching dupatta of the conventional Lehenga Choli.

Embroidery and Embellishments

Various types of Embroidery patterns are employed according to the Lehenga Style saree. Bagh, Chikan, Kashida, Kasuti, Kantha, Sozni, Shisha, Zardozi etc. are some of the commonly practiced Embroidery in Lehenga Style Saree.

Bagh is a special kind of Embroidery done by women in Punjab to be worn during festivals and weddings. Bagh embroidery completely hides the base fabric and is a very heavy kind of embroidery. This Embroidery on Lehenga Style Saree is exquisite as often the cloth is barely visible and only the beautiful embroidery is visible. Kashida is a Kashmiri Embroidery type. This is very colorful and depicts Kashmir in its patterns. The other famous embroidery on Lehenga sarees are Kantha work and Kasuti work of Bangalore.

Various rich and exquisite embellishments are used on Lehenga Style sarees patterns which include Silver embroidery, Golden embroidery, Metal beads, Real pearls, wood beads, glass beads, mirror work, lace work, Kundan, sequins, glittering stones, zardozi etc. Mostly rich fabrics like silk, georgette, brasso, brocade, chiffon, crepe etc are used in the making of a Lehenga style saree.

Draping a Lehenga Style Saree

The method of draping this type of Saree is quite simple and easy. It's easier and tassle free than draping a regular saree. The plain end of the saree is tucked into the in skirt, making one complete round, similar to wearing a regular saree. At this point, pleats are formed in a regular saree whereas when it comes to a Lehenga Style Saree, one continues to tuck in without making any pleats. In a Lehenga Style Saree, pleats are replaced with embellished gotas or panels at the front, which imparts a flared silhouette that is characteristic of a Lehenga Style Saree. Finally, the pallu is draped over the shoulder like a regular saree.

The only difference between a Lehenga style saree and a regular saree is that it doesn't require pleats to be formed at the front. Few Lehenga style saris come with side hooks too. Hook it and fix technique fits the Lehenga style saree snugly around the waist.

References

Boulanger, Chantal; (1997) Saris: An Illustrated Guide to the Indian Art of Draping, Shakti Press International, New York.

Mohapatra, R. P. (1992) "Fashion styles of ancient India", B. R. Publishing corporation, ISBN 81-7018-723-0

External links

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Posted by admin - August 17, 2010 at 7:40 am

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Kolkata Fashion Week

Kolkata Fashion Week

Some of the worlds most beautiful fashion icons emerged in the 1960s, one of which was Audrey Hepburn. Her most iconic looks have inspired designer Leena Taneja for her SS'10 collection showcased yesterday at KFW. The audience couldn't resist applauding when the show incepted with lovely music from 'My Fair Lady' unveiling beautiful elegant tunics and embellished dresses in acrylics, knitted cottons, metallic foilings of silver, copper and gold; all accompanied with various cloche hats and stilettos perfectly working to mimic Miss Hepburns iconic look.

Actor Paoli Dam in a copper metallic tunic, bouffant hairstyle with the long Hepburn style cigarette just stopped the show. Followed by Zubair Kirmani the next show witnessed his signature line, quite structured and geometric prints with simple cuts and silhouettes. Ustad Amjad Ali Khan, Amaan Ali Bangash and Ayaan Ali Banga shacted as shows toppers, carrying off sherwan is with churidaars. The evening came to an end with directional designs by Wendell Rodricksas accustomed. His simple, chic and light collection created out of purely cotton and shear cotton wooed the audience. Knitted cottons in pastels, beige, brown, grey and purple in various combinations were the palette of the season. Leading to a modern chic direction, the designer unveiled the geometric cuts converting into drapes inspired from sarees, and wrap arounds had truly international appeal. Sheath dresses, cowl neck poncho dress and long tunics with side cuts were few predominant silhouettes by Rod ricks this time.

Some French audience members said, "We were really expecting a good show and I am happy after witnessing the collections. From Ritu, Rocky to Wendell, all of them were at par." Except the little lack in management which caused little delay in each show, first day of KFW SS’10went all well with fabulous collections showcases by leading designers of the industry. Log on tomorrow for more in Kolkata Fashion Week. Paying a tribute to Indian crafts, especially those from Kolkata, the legendry designer of Indian textiles 'Ritu Kumar' opened 'Kolkata Fashion Week' (KFW) on 9th of Sep at ITC Sonar Bangla. Ms. Kumar's show commenced with a recital of morning raga, which magically set the mood.

There was not a single colour untouched by the designer for this couture line, including the non-colours, 'white & black'. The assortment consisted of pastels, stark red, emerald green, coral red, maroon, and many more from the palette. Bringing out the exotic essence; gowns, lehengas, sarees, and kalidar suits well teamed up with flared trousers and zouaves set the ramp on fire. Zardozi, kantha, brocade work, mokaish work, precious stones and diamonds embedded in net, georgette, shear cotton and silk were used to achieve the royal Indian look. The surprise element of the show interprets the Indian aesthetic but this time in coats, trench and bomber jackets, all trimmed with leather and worn with tights and boots. You would be surprised to know designer Ritu Kumar has printed motifs from a few of her paintings on the silk that was used to construct these coats. The stream also consisted of peshwaz painstakingly printed in the hand block areas of sanganer, gararas and khara dupattas from the home of Nizams.

On the similar track, designer Rocky Scarried forward the soiree with his contemporary Indian collection. The range started from pastels, baby pinks, red, emerald green, orange, citrus yellow and beige. Fusion bridal wear including lehengas, kalidar suits and sarees in net, georgette and chiffon weaved a beautiful story of elegance and glamour together. Special brocade stole, embroidery, and sequined work added on to the look. Cotton sherwan is with crinkled stoles and embellishments stole everyone's heart. Oozing panache cricketer Virendra Sehwag walked the runway carrying luxurious Sherwani which most likely lead hearts to skip a beat! By and large a good opening to the 2nd season of KFW.

For more information for Fashion Week and Fashion Show beauty related product, fashion tips for Fashion Designers and fashion deals online you can visit stylekandy.com

Posted by admin - August 16, 2010 at 5:10 am

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History Of Fashion: Byzantine Fashion Accessories

History Of Fashion: Byzantine Fashion Accessories

Jewelry and ornaments
Early Byzantine jewelry reflected both Greek and Roman styles, but oriental and Middle Eastern influences came to prevail. Both men and women wore heavy jeweled collars earrings, rings, and brooches made of gold, pearls, and precious stones. Special attention deserved the art of enameling, which was imported from Persia and from here spread to the rest of Europe. Enameling techniques, including the cloisonné enameling, which consists in a thin coating of white or pale blue enamel inlaid between slightly raised gold wire, flourished between the 9th and 11th centuries.

Textiles

Byzantine attire was characterized by the richness of its materials. Silk, taffeta, damask, velvet, tapestry, brocade, linen, wool, cotton were all used. Colors were vibrant and the weaving techniques – extraordinary. The textile industry was the envy of Western Europe, which on more than one occasion tried to steal their know-how, but in vain.

An interesting episode would play an important role in fashion history. Until 552 silk was imported from China and the manufacture of silk remained a mystery. Then two Persian monks smuggled back a hollow bamboo staff in which were hidden hundreds of silkworm eggs and the mulberry seeds needed to grow the leaves on which the worms feed. This would put an end to the eastern monopoly on the silk trade. The Byzantines silk, known as samite, was thick and strong, similar to today’s brocade. It could be embroidered with gold thread or meshed through sheets of gold fabric.

The textile industry grew rapidly during the epoch of Byzantine prosperity (9th to 13th century). Travelers, pilgrims and crusaders contributed to the spread of byzantine fabrics, though expensive fabrics were forbidden to export.

Hats and head-dresses
Hats were not commonly worn by Byzantines, the only exception being the straw petasos and the Greek skull cap zucchetto.  Head-dress did, however, become an intricate part of court and ecclesiastic dress. Nobility wore crowns and ornaments designed by skilled jewelers. Church dignitaries wore the infula - a knotted fillet of white wool, ornamented with jewels and gold embroidery. Bishops and cardinals wore the zucchetto in different colors, which marked their rank. Monks’ robes had a cowl that could be pulled over the head.

The diadem worn by Constantine was made of a band of cloth decorated with gems and tied behind the head, called a Stephanos. As the Stephanos changed – pendants and chains were added, which hung over the temples and cheeks – its name changed too; it was called stemma. Theodora's crown was decorated with an aigrette of precious stones. Hair was held in nets, sometimes decorated with pearls or beads.

In the thirteenth century, empresses began wearing an oval tiara of Sassanian origin, which would  become the skiradion worn by dignitaries in the fourteenth century. It was scarlet, green or white, and was brocaded with gold and sewn with pearls. Another tiara was made of a circlet topped with a tall plume. The calyptras, worn by the emperors, was shaped as an arched polygon.

Hairstyles
Byzantine hairstyles shared both Roman and oriental influences. Women wore their hair long and styles in elaborated hairdos, under a turban or with a string of pearls into it. Men’s hair was short, styles in cropped bob with a fringe on the forehead or medium length and brushed away from the crown. Church dignitaries shaved the crown of their head. Short, trimmed beards and mustaches became popular in the 9th century.

Footwear
Footwear was very oriental in style, colors and materials. Men and women wore shoes made of embroidered silk, and decorated with gold and gem stones. They could be in vibrant hues of green, blue, red, plum, violet or simple black, gray and brown. Shoes included calf-length boots and jeweled slippers.

Make-up and grooming
Public baths were as popular in Byzantium as they were in Rome. Byzantines were aware of the importance of good hygiene. Cosmetics had lost their value, but the perfumery was a thriving industry.  The empire’s strategic position made the import of ingredient from China, India, and Persia relatively easy. Perfumers occupied a prominent place in society as craftsmen and among Constantinople's great bazaars, spicers and perfumiers had their own special place - a market between the emperor's palace and the church, Santa Sophia.

The author is the founder and owner of Adriana Allen LLC - a European fashion brand offering handmade and one-of-a-kind handbags and fashion accessories. You can learn more about world fashion, fashion's history, and how to buy fashion accessories at our official blog

Posted by admin - August 15, 2010 at 4:12 am

Categories: Brocade Coats   Tags: , , ,

New Jackets For Fall

New Jackets For Fall

Fall and winter may have brought out long peacoats and trenches before, but not this year. One of the most sought-after pieces for the upcoming season will be the shrunken jacket, in a variety of styles. The difference between these new, tinier versions of your traditional autumn and winter favorites is their length; cuts are the same as traditional coats, but they hit slightly above the waist and often tie or button under the chest. The beauty of these new pieces is that they provide coverage in colder months without sacrificing sexiness or femininity.

The perfect jacket is one of the most important elements of your wardrobe, and with so many shapes and fabrics available this fall, it would be a crime to choose just one. The ever-present denim jacket is back with a new vengeance. Instead of the washes of last season or bulkiness of years before, this season's denim jacket is soft, body-conscious and far more feminine than the traditional denim jacket. Corduroy and leather are back again, cropped and ready to be worn over anything from your favorite dress to distressed jeans.

A new take on an old favorite is safe, but take advantage on the amazing new fabrics and styles the end of the year has to offer. Brocade is big this season and some of the most sought-after new jackets are made of the rich, detailed design. Many of these brocaded, boudoir-style jackets are trimmed in rich velvet or lace piping and can be paired with tweed trousers of you favorite jeans. Many of these new jackets are cut at the hip but some are reaching even higher-cropped just below the chest (H & M). Made in rich, new fabrics like tweed and velvet, these jackets have mixed a traditionally matronly fabric with a cut and cling that makes it youthful and sexy. Even faux fur and metallic finishes are adorning the newest trend (Allen B. by Allen Schwartz).

Getting short isn't the only new addition to a cold weather favorite. Sleeves are getting revamped this season, retro-style. Traditional coat fabrics like houndstooth are being used in a new way. Bell sleeves (think bellbottom sleeves, cut below the elbow) mix cropped length with a traditional fabric and throwback to 70s style (Banana Republic). You'll also see a mini version of the military jacket this season; a cropped, girlie take on the long, heavy style, adorned with brass buttons and zippers (Bebe).

The beauty of these new jackets is the versatility they bring to your own style: mix them with denim, dresses, skirts and trousers. Since there isn't one specific style or fabric that will reign this fall, all styles and sizes can take advantage of a new take on an old favorite.

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Posted by admin - August 14, 2010 at 12:30 am

Categories: Brocade Coats   Tags: ,

Cropped Jackets And The Layered Look – The New Way To Be Stylishly Warm In Winter

Cropped Jackets And The Layered Look - The New Way To Be Stylishly Warm In Winter

Fall and winter may have brought out long peacoats and trenches before, but not this year. One of the most sought-after pieces for the upcoming season will be the shrunken jacket, in a variety of styles. The difference between these new, tinier versions of your traditional autumn and winter favorites is their length; cuts are the same as traditional coats, but they hit slightly above the waist and often tie or button under the chest. The beauty of these new pieces is that they provide coverage in colder months without sacrificing sexiness or femininity.

The perfect jacket is one of the most important elements of your wardrobe, and with so many shapes and fabrics available this fall, it would be a crime to choose just one. The ever-present denim jacket is back with a new vengeance. Instead of the washes of last season or bulkiness of years before, this season's denim jacket is soft, body-conscious and far more feminine than the traditional denim jacket. Corduroy and leather are back again, cropped and ready to be worn over anything from your favorite dress to distressed jeans.

A new take on an old favorite is safe, but take advantage on the amazing new fabrics and styles the end of the year has to offer. Brocade is big this season and some of the most sought-after new jackets are made of the rich, detailed design. Many of these brocaded, boudoir-style jackets are trimmed in rich velvet or lace piping and can be paired with tweed trousers of you favorite jeans. Many of these new jackets are cut at the hip but some are reaching even higher—cropped just below the chest (H & M). Made in rich, new fabrics like tweed and velvet, these jackets have mixed a traditionally matronly fabric with a cut and cling that makes it youthful and sexy. Even faux fur and metallic finishes are adorning the newest trend (Allen B. by Allen Schwartz).

Getting short isn't the only new addition to a cold weather favorite. Sleeves are getting revamped this season, retro-style. Traditional coat fabrics like houndstooth are being used in a new way. Bell sleeves (think bellbottom sleeves, cut below the elbow) mix cropped length with a traditional fabric and throwback to 70s style (Banana Republic). You'll also see a mini version of the military jacket this season; a cropped, girlie take on the long, heavy style, adorned with brass buttons and zippers (Bebe).

The beauty of these new jackets is the versatility they bring to your own style: mix them with denim, dresses, skirts and trousers. Since there isn't one specific style or fabric that will reign this fall, all styles and sizes can take advantage of a new take on an old favorite.

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Posted by admin - August 12, 2010 at 9:12 pm

Categories: Brocade Coats   Tags: , , , , , ,

Wedding Advice – Cold Weather Wedding Advice

Wedding Advice - Cold Weather Wedding Advice

Bridal Fabrics

Platinum Bridal Fabrics offers a range of UK woven Brocade qualities and imported plain and crystalised fabrics. We supply the very best quality fabrics, nets, laces, interlinings and jacquard Brocades STRICTLY to TRADE ONLY from stock. CUT LENGTH SERVICE AVAILABLE

Cold Weather advice for Weddings Wedding Advice - Cold Weather Wedding Advice

Don't let the cold weather ruin your wedding. Be prepared and follow these tips

1.  Mention the weather considerations in your invitation – You may wish to place a mention the cold weather alongside the registry, wedding website, or venue map.  For my sisters wedding we used a single (small) card (about the same size as the Response Card [RSVP Card] for this purpose, broken down as such:

Front side – Registry, event timeline, and weather consideration mention
Back side – Venue address, map, and driving directions

2. Having an indoor ceremony and/or reception? Set-up a coat check area . Guests will appreciate not having to lug around their winter coats, or worse yet having to hang them over the back of their chairs.

3.  Having the event(s) indoors away from the cold weather? Err on the side of placing the thermostat temperature "a little cool".  Consider that your guests may not be able to peel off too many layers past their winter coats should the indoor temperature climb.  (Nearly everyone gets warm when they dance.)

4.  Having the event(s) outdoors in the cold weather? Err on the side of heat which means considering the use of heaters, fireplaces, hand-warming packets , or decorative fire pits (covered or screened) where guests can warm their parts and then leave to enjoy more wedding action.

5.  Incremental weather means having brooms on-hand to sweep away water, shovels or a snowplow on stand-by to make a path in snow, and umbrellas for the ushers use to assist guests as they arrive and depart.

6.  Transportation considerations – if your ceremony and reception are in different locations and it is sure to be snowing, consider renting buses, limo buses, or cars to transport guests (to avoid parking accidents, sliding, or hydro-planing).

Source: http://www.weddingfanatic.com/coldweatherwedding/

Martin Roche
Bridal Fabrics

http://www.bridalfabrics.co.uk

Related Brocade Coat Articles

Posted by admin - August 12, 2010 at 2:28 am

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